Ill Never Smile Again Release Date
Information technology's because of a guy anybody called Fern that Louis Cyr, aka Ludwig Wax, was infected by a virus commonly known as rock'due north'scroll. "His real proper noun is Pierre Ferland," says Cyr, nigh the person who made him desire to devote his life to shaking his moneymaker, on his knees, onstage, with a Mexican wrestling mask on his head, night afterwards dark. Even if it means catastrophe upward alone, like all of his peers. In other words, becoming, ane twenty-four hours, the vocaliser for Nombre, and one of Québec's about flamboyant rock singers – one-half acrobat, half daredevil.
Flashback to Québec Urban center in the early '90s. "Fern DJ'd at Midnight on Tuesday nights," says Cyr, "and he'd founded an amazing band called Kaopectak alongside Gourmet Délice [bass player for Secrétaires Volantes, Caféïne and Nombre, founder of Accident the Fuse Records, and now business organisation development director for Bonsound]. They did covers of obscure punk and stone songs. Fern was a very calm dude, but on stage… WOAH! We imagine all kinds of things about rock stars, merely Fern was truly the first person I saw become onstage, go into a trance, and return to their normal life afterwards. I said to myself, 'I desire to do that, likewise.'"
In 1996, "in some basement in Cap-Rouge," he recorded Fun Bomb!, the only anthology by Demolition, his starting time ring. I show him the album comprehend from my end of the videoconference telephone call. "Await within!" says Cyr. "Do you see who produced the album?" And what I tin can clearly see is that it was produced by Stéphane Papillon, with whom Cyr recently re-united in Drogue, Québec'southward new super-group, the other members of which are guitar hero Jean-Sébastien Chouinard, bassist Fred Fortin, and drummer Pierre Fortin (of Gros Mené and Galaxie).
"At the end of my Cégep, the ii bands that fabricated information technology to the finals of Cégeps en spectacle were Papillon's ring and Jean-Philippe's [Dynamite Roy, guitarist for Secrétaires Volantes and Nombre, and Drogue's lyricist]. Papillon sang 'I Wanna Exist Your Dog' and information technology was the first time I heard a Stooges song."
Rock "funabulist," adolescent on the loose, charismatic, and nigh likely a fleck masochistic, every bit Ludwig Wax, Cyr became a Québécois Iggy Pop, never hesitating to wrap his microphone string around his neck, to climb everywhere, to catapult himself into the crowd and to do the snake on the floor, a modus operandi he adopted correct from the start with Sabotage, and which would guide him to the third and ultimate Nombre, Vile et fantastique (2009).
"C'est-tu l'aube, c'est-tu 50'aube, c'est-tu l'aube, c'est-tu fifty'aube ou le crépuscule ? /Un jour je me bats, y'en dix autres où je capitule" ("Is it dawn, is information technology dawn, is it dawn, is it dawn or is it sunset? /One day I fight, in that location are 10 other where I capitulate") he howls on "Fifty'aube ou le crepuscule," the galvanizing first single from Drogue's first EP.
"I consider Jean-Philippe Roy to be 1 of the most important songwriters of the punk stone Francophonie," says Louis about his longtime friend, whom we could qualify every bit semi-retired from the rock scene. "In that song, Jean-Philippe is wondering if our feet are inside or outside of our casket. How are we supposed to react to crumbling? We're all effectually 50 years old now."
What's Cyr's attitude with regards to his own historic period? Let'southward start with a listing of injuries: Ludwig Wax has "kneecaps typical of someone who also oft decided to bound really loftier and land on their knees like a moron," he says. He has dorsum problems, too linked to his stunts, and a shoulder that makes him miserable since he dislocated it during a Demolition testify in Japan during a G8 Top in 2000.
"My attitude towards aging?" He gives an unequivocal answer. accompanied by a booming laugh: "I decided join Drogue!" (Editor's note: The line in French is "J'ai décidé de jouer dans Drogue," a wordplay all-time translated as, "I decided to play with drugs.")
Although Stéphane Papillon and Jean-Sébastien Chouinard tricked him into joining the ring – he met them thinking he was just going to interact on a single song for Papillon's solo album – the singer, now that he's got the issues again, is dying to become onstage and "feel the air moving because of the amps." Equally hard to believe as it is, a sure virus (more dangerous than the stone one) has meant that the members of Drogue have never all been together in the same room. That also explains why Cyr is the only ring member – bearded as a human billboard(!) – featured in the video for De la poudre aux yeux, a tribute to Guy L'Écuyer'south character in André Forcier's moving picture Au clair de la lune (1983).
"I want to become one with the music when I'm onstage," says Cyr. "I want to exist stabbed by the sound waves of the drums, guitars, and bass. I know not everyone enjoys loud music, just I do. It makes a lot of musical styles more interesting. Whenever I mind to music or sing, I get to a betoken where I feel it should be even louder."
Source: https://www.socanmagazine.ca/features/how-the-song-happened-ruth-lowes-ill-never-smile-again/
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